{"id":30,"date":"2025-11-21T16:11:20","date_gmt":"2025-11-21T16:11:20","guid":{"rendered":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/?page_id=30"},"modified":"2026-04-14T06:14:22","modified_gmt":"2026-04-14T06:14:22","slug":"el-racisme-que-nha-quedat","status":"publish","type":"page","link":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/el-racisme-que-nha-quedat\/","title":{"rendered":"El racisme que n\u2019ha quedat"},"content":{"rendered":"

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El racisme que n\u2019ha quedat<\/h1>\n

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Tot i que a Catalunya, des de l\u2019edat mitjana, hi havia hagut persones esclavitzades provinents de terres \u00e0rabs, turques o de l\u2019Europa oriental, a partir del segle XVIII, l\u2019esclavatge es va associar a les persones africanes negres. D\u2019aquesta manera, aquestes van quedar racialitzades com un col\u00b7lectiu amb escassa capacitat intel\u00b7lectual i social, considerat en un estadi d\u2019evoluci\u00f3 inferior al dels europeus. En la cultura popular catalana, les persones negres van ser caricaturitzades com a personatges pintorescos, ximples, hipersexualitzats o antrop\u00f2fags.<\/p>\n

Amb la fi de l\u2019esclavisme, no se\u2019n va acabar tot: en va quedar el racisme, un rastre infame que ha arribat fins als nostres dies.<\/p>\n

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La transmissi\u00f3 d\u2019imaginaris racistes<\/h2>\n

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La imatge caricaturitzada -i fins i tot ridiculitzada- de les persones negres s\u2019ha dif\u00f3s a trav\u00e9s de productes destinats a infants i joves. Malgrat que la presentaci\u00f3 d\u2019aquest tipus d\u2019imatges pot resultar ofensiva per a moltes persones, l\u2019MMB ha optat per exposar-ne una petita mostra, amb la voluntat de fer prendre consci\u00e8ncia de com s\u2019ha constru\u00eft, consolidat i dif\u00f3s el racisme a trav\u00e9s de tot tipus de productes.<\/p>\n

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Referents contra el racisme<\/h2>\n

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Des de l\u2019abolici\u00f3 de l\u2019esclavisme, la comunitat afrodescendent no ha deixat mai de lluitar contra el racisme. De referents antiracistes, n\u2019hi ha molt\u00edssims; aqu\u00ed en destaquem una petita mostra.<\/p>\n

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Rosa Parks (2013-2005)<\/h3>\n

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L\u2019any 1955 es va negar a cedir el seient que ocupava a l\u2019autob\u00fas a una persona blanca, per la qual cosa va ser detinguda i jutjada. El 1956 el Tribunal Suprem dels EUA va dictaminar que la segregaci\u00f3 dels autobusos era inconstitucional.<\/p>\n

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Nelson Rolihlahla Mandela (1918-2013)<\/h3>\n

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Va ser un dels l\u00edders m\u00e9s emblem\u00e0tics contra la segregaci\u00f3 racial de Sud-\u00e0frica. Va estar empresonat 27 anys. Es convert\u00ed en el primer president de la Rep\u00fablica de Sud-\u00e0frica.<\/p>\n

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Jesse Owens, (1913-1980)<\/h3>\n

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Atleta estadounidense de origen afroamericano que logr\u00f3 varias medallas en los Juegos Ol\u00edmpicos de 1936, en Berl\u00edn, poniendo en entredicho la supremac\u00eda aria que defend\u00eda el gobierno nazi que los organizaba.<\/p>\n

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Martin Luther King (1929-1968)<\/h3>\n

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Va ser un dels principals l\u00edders del moviment afroameric\u00e0 pels drets civils de la d\u00e8cada del 1960, per la qual cosa el 1964 va ser guardonat amb el Premi Nobel de la Pau. Va ser assassinat l\u2019any 1968.<\/p>\n

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Opal Tometi (1984 -)<\/h3>\n

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Lluitadora pels drets humans i fundadora, juntament amb Alicia Garza i Patrisse Cullors, del moviment antiracista Black Lives Matter (la vida dels negres importa) l\u2019any 2020.<\/p>\n

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Bombo Ndir Fall (1961 -)<\/h3>\n

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Presidenta de l\u2019Associaci\u00f3 de Dones Immigrants Subsaharianes, i Creu de Sant Jordi (2023) per la seva lluita per la igualtat de drets, l\u2019antiracisme i el feminisme decolonial.<\/p>\n

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Idrissa Diallo (1991\u20132012)<\/h3>\n

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Nascut al poble de Tindila, a Guinea Conakry. Mort al Centre d\u2019Internament per a Estrangers de Barcelona l\u2019any 2012. S\u00edmbol de les v\u00edctimes de la pol\u00edtica migrat\u00f2ria gr\u00e0cies a la lluita dels moviments socials, que van aconseguir que li fos dedicada l\u2019antiga pla\u00e7a Antonio L\u00f3pez.<\/p>\n

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Alphonse Arcelin (1936\u20132009)<\/h3>\n

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Impulsor de la campanya per retirar del Museu Darder de Banyoles, el cos dissecat del guerrer boixim\u00e0, conegut com el Negre de Banyoles.<\/p>\n

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Edmundo Sepa Bonaba (1968 -)<\/h3>\n

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Soci\u00f2leg especialitzat en immigraci\u00f3 i cooperaci\u00f3. Director de l\u2019Espai AfroCatal\u00e0 de la Fundaci\u00f3 Nous Catalans.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/remei-sipi-web.jpg\u00bb alt=\u00bbRemei Sipi Mayo\u00bb title_text=\u00bbremei-sipi-web\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||17px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_text_align=\u00bbleft\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb32px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||3px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Bombo Ndir Fall (1961 -)<\/h3>\n

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Activista vinculada a diverses associacions dedicades a la defensa dels drets de les dones migrants.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/bacha-changue-lauren-leger-adame-web.jpg\u00bb alt=\u00bbBasha Changue Canalejo\u00bb title_text=\u00bbbacha-changue-lauren-leger-adame-web\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||17px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_text_align=\u00bbleft\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb32px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||3px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Basha Changue Canalejo (1984 -)<\/h3>\n

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Impulsora de les organitzacions CNAACAT i AfrofemKoop, va ser Diputada del Parlament de Catalunya (2021-2024).<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/desiree-web.jpg\u00bb alt=\u00bbDesir\u00e9e Bela-Lobedde\u00bb title_text=\u00bbdesiree-web\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||17px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_text_align=\u00bbleft\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb32px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||3px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Desir\u00e9e Bela-Lobedde (1978 – )<\/h3>\n

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Escriptora dedicada a la divulgaci\u00f3 de l’educaci\u00f3 antiracista.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(246,245,232,0.45)\u00bb custom_padding=\u00bb125px||56px|||\u00bb custom_padding_tablet=\u00bb59px||1px||false|false\u00bb custom_padding_phone=\u00bb32px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_4,1_4,1_2″ use_custom_gutter=\u00bbon\u00bb module_class=\u00bbfila-3-25-25-50-a-1-tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb80%\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|tablet\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bb80%\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|59px|auto|false|false\u00bb custom_margin_tablet=\u00bb|auto|40px|auto|false|false\u00bb custom_margin_phone=\u00bb||10px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb||||false|false\u00bb custom_padding_phone=\u00bb|0px|||false|false\u00bb custom_padding_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbAlternate Gothic|||on|||||\u00bb header_2_text_align=\u00bbleft\u00bb header_2_font_size=\u00bb47px\u00bb header_2_letter_spacing=\u00bb-0.5px\u00bb custom_margin=\u00bb||12px|||\u00bb header_2_text_align_tablet=\u00bbcenter\u00bb header_2_text_align_phone=\u00bbcenter\u00bb header_2_text_align_last_edited=\u00bbon|phone\u00bb header_2_font_size_tablet=\u00bb47px\u00bb header_2_font_size_phone=\u00bb47px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Gestionar la mem\u00f2ria<\/h2>\n

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El mar\u00e7 de 2018, l\u2019Ajuntament de Barcelona va retirar de la via p\u00fablica l\u2019est\u00e0tua d\u2019Antonio L\u00f3pez y L\u00f3pez (1817\u20131883), primer marqu\u00e8s de Comillas. Va ser un dels empresaris i comerciants m\u00e9s importants de la Barcelona de la seva \u00e8poca. Va fundar la Compa\u00f1\u00eda Trasatl\u00e1ntica Espa\u00f1ola, el Banc Hispano Colonial i la Companyia General de Tabacs de Filipines. Part del seu capital provenia del tr\u00e0fic de persones entre l\u2019\u00c0frica i les col\u00f2nies americanes, activitat que havia exercit durant els seus anys d\u2019estada a Cuba.<\/p>\n

Quan va tornar de Cuba tota la fam\u00edlia, l\u2019any 1852, Antonio L\u00f3pez es van endur dues persones esclavitzades: Elo\u00edsa i Dorita. Sabem que Dorita va ser criada de l\u2019esposa del marqu\u00e8s, Llu\u00efsa Bru. D\u2019Elo\u00edsa sabem que havia nascut a l\u2019\u00c0frica, que fou raptada i condu\u00efda a Cuba quan tenia dotze anys. Quan van arribar a Barcelona, Elo\u00edsa va esdevenir una persona lliure, per\u00f2 va viure sempre a la casa familiar dels L\u00f3pez. Va morir l\u2019any 1900 i est\u00e0 enterrada al pante\u00f3 familiar dels L\u00f3pez, al cementiri del Poblenou. \u00c9s probable que fos l\u2019\u00faltima persona esclavitzada que va viure a Barcelona.<\/p>\n

Que sapiguem, no es conserva cap imatge d\u2019ella.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb||||false|false\u00bb custom_padding_phone=\u00bb|||0px|false|false\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/retrat-antonio-lopez.jpg\u00bb alt=\u00bbRetrat d\u2019Antonio L\u00f3pez y L\u00f3pez\u00bb title_text=\u00bbretrat-antonio-lopez\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||33px|||\u00bb custom_margin_tablet=\u00bb||25px||false|false\u00bb custom_margin_phone=\u00bb||20px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb custom_margin_tablet=\u00bb||45px||false|false\u00bb custom_margin_phone=\u00bb||30px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]Retrat d\u2019Antonio L\u00f3pez y L\u00f3pez, primer marqu\u00e9s de Comillas.<\/p>\n

Oli sobre tela d\u2019autor desconegut.<\/p>\n

MMB[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/retirada-antonio-lopez.jpg\u00bb alt=\u00bbRetirada, l\u2019any 2018, de l\u2019escultura d\u2019Antonio L\u00f3pez\u00bb title_text=\u00bbretirada-antonio-lopez\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||33px|||\u00bb custom_margin_tablet=\u00bb||25px||false|false\u00bb custom_margin_phone=\u00bb||20px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb custom_margin_tablet=\u00bb||30px||false|false\u00bb custom_margin_phone=\u00bb||30px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Retirada, l\u2019any 2018, de l\u2019escultura d\u2019Antonio L\u00f3pez, banquer, navilier i empresari involucrat en el tr\u00e0fic de persones esclavitzades a Cuba, erigida a Barcelona l\u2019any 1884.<\/p>\n

Aquesta acci\u00f3, en sintonia amb la revisi\u00f3 cr\u00edtica que moltes ciutats estant portant a terme respecte a determinats monuments, ens interpel\u00b7la sobre com tractar els elements del nostre passat que avui ens incomoden o, fins i tot, ens avergonyeixen.<\/p>\n

Fotografia de Paco Freire (2018).<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f5efd7″ custom_padding=\u00bb122px||40px|||\u00bb custom_padding_tablet=\u00bb60px||||false|false\u00bb custom_padding_phone=\u00bb40px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb2_5,3_5″ use_custom_gutter=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb70%\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|phone\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bb810px\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|59px|auto|false|false\u00bb custom_margin_tablet=\u00bb|auto|0px|auto|false|false\u00bb custom_margin_phone=\u00bb|auto|0px|auto|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb custom_margin_tablet=\u00bb||20px||false|false\u00bb custom_margin_phone=\u00bb||13px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

L\u2019exposici\u00f3 La inf\u00e0mia<\/strong>. La participaci\u00f3 catalana en l\u2019esclavatge colonial<\/strong> conclou amb la pe\u00e7a audiovisual \u201cUna hist\u00f2ria de reconciliaci\u00f3\u201d<\/strong>, creada expressament per a la mostra per la cineasta Sally Fenaux Barleycorn<\/strong>.<\/p>\n

Aquesta obra art\u00edstica convida a aturar-se, prestar m\u00e9s atenci\u00f3 i reflexionar sobre el llegat de l\u2019esclavatge del per\u00edode colonial, encara present en les interaccions actuals i quotidianes. Proposa examinar com aquestes narratives del passat continuen afectant les relacions humanes, socials i pol\u00edtiques, i convida a assumir la responsabilitat personal de cadasc\u00fa per treure\u2019ls poder i substituir-les per relats que benefici\u00efn totes les persones que conformem la societat.<\/p>\n

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El racisme que n\u2019ha quedatTot i que a Catalunya, des de l\u2019edat mitjana, hi havia hagut persones esclavitzades provinents de terres \u00e0rabs, turques o de l\u2019Europa oriental, a partir del segle XVIII, l\u2019esclavatge es va associar a les persones africanes negres. D\u2019aquesta manera, aquestes van quedar racialitzades com un col\u00b7lectiu amb escassa capacitat intel\u00b7lectual i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":77,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":24972,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/30\/revisions\/24972"}],"wp:attachment":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}