{"id":20,"date":"2025-11-21T16:07:39","date_gmt":"2025-11-21T16:07:39","guid":{"rendered":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/?page_id=20"},"modified":"2026-03-26T16:08:05","modified_gmt":"2026-03-26T16:08:05","slug":"el-rapte","status":"publish","type":"page","link":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/el-rapte\/","title":{"rendered":"El rapte"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f5efd7″ custom_padding=\u00bb||9px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb10px||0px||false|false\u00bb custom_padding_phone=\u00bb10px||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_font=\u00bb|||on|||||\u00bb header_text_align=\u00bbcenter\u00bb header_font_size=\u00bb77px\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

El rapte<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ use_custom_gutter=\u00bbon\u00bb custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|desktop\u00bb max_width=\u00bb1250px\u00bb max_width_tablet=\u00bb\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|58px|auto||\u00bb custom_margin_tablet=\u00bb|auto|7px|auto|false|false\u00bb custom_margin_phone=\u00bb||24px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding_tablet=\u00bb15px||0px||false|false\u00bb custom_padding_phone=\u00bb30px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbAlternate Gothic|||on|||||\u00bb header_2_text_align=\u00bbright\u00bb header_2_font_size=\u00bb47px\u00bb header_2_letter_spacing=\u00bb-0.5px\u00bb header_2_text_align_tablet=\u00bbcenter\u00bb header_2_text_align_phone=\u00bbcenter\u00bb header_2_text_align_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

12,5 milions de persones esclavitzades<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Entre els segles XVI i XIX, m\u00e9s de 12,5 milions de persones nascudes a l\u2019\u00c0frica van ser embarcades cap al continent americ\u00e0. Espanya es va convertir en el quart pa\u00eds d\u2019un r\u00e0nquing macabre: els grans ports esclavistes del sud d\u2019Europa van ser Sevilla i Lisboa fins al segle XVII, i Cadis i Lisboa durant els segles XVIII i XIX. Es calcula que els vaixells dels armadors europeus o nord-americans van portar fins a l\u2019Am\u00e8rica espanyola unes 2.072.000 persones. D\u2019aquest total, els vaixells espanyols n\u2019haurien transportat aproximadament 1.600.000; d\u2019aquestes, gaireb\u00e9 1.000.000 van acabar esclavitzades a Cuba.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\u00bbon\u00bb custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|desktop\u00bb max_width=\u00bb1150px\u00bb max_width_tablet=\u00bb\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|71px|auto||\u00bb custom_margin_tablet=\u00bb||0px||false|false\u00bb custom_margin_phone=\u00bb||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding_tablet=\u00bb\u00bb custom_padding_phone=\u00bb6px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb36px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||-10px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

VOLUM I DIRECCI\u00d3 DEL TR\u00c0FIC DE PERSONES ESCLAVITZADES D\u2019\u00c0FRICA A AM\u00c8RICA<\/h3>\n

[\/et_pb_text][et_pb_icon font_icon=\u00bbC||divi||400″ icon_color=\u00bb#321310″ icon_width=\u00bb35px\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||10px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_icon][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/trafic-de-persones-esclavitzades.jpg\u00bb alt=\u00bbVolum i direcci\u00f3 del tr\u00e0fic de persones esclavitzades d\u2019\u00c0frica a Am\u00e8rica\u00bb title_text=\u00bbtrafic-de-persones-esclavitzades\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f5efd7″ custom_padding=\u00bb41px||163px|||\u00bb custom_padding_tablet=\u00bb17px||70px||false|false\u00bb custom_padding_phone=\u00bb0px||39px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_3,2_3″ use_custom_gutter=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|phone\u00bb max_width=\u00bb1250px\u00bb max_width_tablet=\u00bb\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|62px|auto||\u00bb custom_margin_tablet=\u00bb|auto|8px|auto|false|false\u00bb custom_margin_phone=\u00bb|auto|8px|auto|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||2px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbAlternate Gothic|||on|||||\u00bb header_2_text_align=\u00bbright\u00bb header_2_font_size=\u00bb47px\u00bb header_2_letter_spacing=\u00bb-0.5px\u00bb custom_margin=\u00bb0px||||false|false\u00bb header_2_text_align_tablet=\u00bbcenter\u00bb header_2_text_align_phone=\u00bbcenter\u00bb header_2_text_align_last_edited=\u00bbon|phone\u00bb header_2_font_size_tablet=\u00bb47px\u00bb header_2_font_size_phone=\u00bb47px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

El rapte de persones
a les factories africanes<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

El proc\u00e9s comen\u00e7ava amb el rapte o amb la guerra. Traficants locals o estrangers capturaven persones joves \u2014homes, dones i infants\u2014 i les traslladaven fins a la costa africana, on hi havia les factories: instal\u00b7lacions que comptaven amb una resid\u00e8ncia per al factor \u2014l\u2019encarregat\u2014i els seus treballadors, un magatzem de mercaderies i diversos barracons on eren retingudes i encadenades les persones capturades fins que eren venudes i embarcades.<\/p>\n

S\u2019han identificat 63 factories de propietaris espanyols, alguns d\u2019ells catalans. Van ser propietaris o administradors de factories a la costa africana els traficants catalans Jos\u00e9 de B\u00e9rriz, Francesc Canela, Pau Freixas Ribalta, Pere Manegat, Dom\u00e8nech Mustich, Pere Sala, Francesc Riera, Crist\u00f2fol Roig Vidal i Bonaventura Vidal Calzada.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|phone\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bbnone\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb module_alignment=\u00bbcenter\u00bb custom_padding=\u00bb||||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|7px|||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb36px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||-10px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

PRINCIPALS FACTORIES CATALANES DE PERSONES ESCLAVITZADES<\/h3>\n

[\/et_pb_text][et_pb_icon font_icon=\u00bbC||divi||400″ icon_color=\u00bb#321310″ icon_width=\u00bb35px\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||10px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_icon][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/principals-factories-catalanes-de-persones-esclavitzades.jpg\u00bb alt=\u00bbPrincipals factories catalanes de persones esclavitzades\u00bb title_text=\u00bbprincipals-factories-catalanes-de-persones-esclavitzades\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||||false|false\u00bb custom_margin_tablet=\u00bb||62px||false|false\u00bb custom_margin_phone=\u00bb||48px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|||7px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbAlternate Gothic||||||||\u00bb text_font_size=\u00bb31px\u00bb text_line_height=\u00bb1.6em\u00bb header_3_font=\u00bbAlternate Gothic||||||||\u00bb header_3_text_align=\u00bbcenter\u00bb header_3_text_color=\u00bb#321310″ header_3_font_size=\u00bb36px\u00bb header_3_letter_spacing=\u00bb-0.75px\u00bb background_color=\u00bbRGBA(255,255,255,0)\u00bb text_orientation=\u00bbcenter\u00bb custom_margin=\u00bb||-10px||false|false\u00bb custom_padding=\u00bb11px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

PRINCIPALS ZONES DE SORTIDA DE PERSONES CAPTIVES<\/h3>\n

[\/et_pb_text][et_pb_icon font_icon=\u00bbC||divi||400″ icon_color=\u00bb#321310″ icon_width=\u00bb35px\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||10px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_icon][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/principals-zones-de-sortida-de-persones-captives.jpg\u00bb alt=\u00bbPrincipals zones de sortida de persones captives\u00bb title_text=\u00bbprincipals-zones-de-sortida-de-persones-captives\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(246,245,232,0.45)\u00bb custom_padding=\u00bb150px||40px||false|false\u00bb custom_padding_tablet=\u00bb30px||30px||false|false\u00bb custom_padding_phone=\u00bb20px||||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_4,3_4″ use_custom_gutter=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|desktop\u00bb max_width=\u00bb1036px\u00bb max_width_tablet=\u00bb1250px\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb custom_margin=\u00bb|auto|60px|auto||\u00bb custom_margin_tablet=\u00bb||34px||false|false\u00bb custom_margin_phone=\u00bb|auto|20px|auto|false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bbAlternate Gothic|||on|||||\u00bb header_2_text_align=\u00bbright\u00bb header_2_font_size=\u00bb47px\u00bb header_2_letter_spacing=\u00bb-0.5px\u00bb header_3_text_align=\u00bbleft\u00bb custom_margin=\u00bb||4px|||\u00bb header_2_text_align_tablet=\u00bbcenter\u00bb header_2_text_align_phone=\u00bbcenter\u00bb header_2_text_align_last_edited=\u00bbon|phone\u00bb header_2_font_size_tablet=\u00bb47px\u00bb header_2_font_size_phone=\u00bb47px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Objectes moneda<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb3_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

A l\u2019\u00c0frica subsahariana no s\u2019hi va introduir la moneda encunyada fins a temps relativament moderns, impulsada pels governs colonials. Per a l\u2019intercanvi comercial era molt habitual l\u2019\u00fas de diversos tipus d\u2019elements, com sal, teles, armes, petxines, metalls preciosos i objectes met\u00e0l\u00b7lics de tot tipus. Quan els catalans es van incorporar al tr\u00e0fic negrer, a Rio de la Plata a partir de 1789 i a Cuba, a partir de 1810, les transaccions se solien pagar amb plata amonedada, en cauris i en determinades mercaderies com teles, p\u00f3lvora i rifles.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ use_custom_gutter=\u00bbon\u00bb custom_padding_last_edited=\u00bboff|desktop\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|phone\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bbnone\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|phone\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb|auto|162px|auto|false|false\u00bb custom_margin_tablet=\u00bb|auto|80px|auto|false|false\u00bb custom_margin_phone=\u00bb||63px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][dipl_image_card_carousel hide_title=\u00bbon\u00bb enable_lightbox=\u00bbon\u00bb cards_per_slide=\u00bb1″ auto_height_slider=\u00bbon\u00bb slider_loop=\u00bbon\u00bb show_arrow=\u00bbon\u00bb previous_slide_arrow=\u00bbD||divi||400″ next_slide_arrow=\u00bbE||divi||400″ show_arrow_on_hover=\u00bbon\u00bb arrows_position=\u00bboutside\u00bb arrows_custom_padding=\u00bb0px|0px|0px|0px|false|true\u00bb arrow_color=\u00bb#1d1d1b\u00bb slider_container_custom_padding=\u00bb||||false|true\u00bb cards_per_slide_tablet=\u00bb1″ cards_per_slide_phone=\u00bb1″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||24px||false|false\u00bb custom_padding=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][dipl_image_card_carousel_item image=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/12-objectes-rapte-.jpg\u00bb content_custom_padding=\u00bb20px|20px|0px|20px|false|true\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb content_font_size=\u00bb20px\u00bb content_line_height=\u00bb1.3em\u00bb custom_margin=\u00bb||-40px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb content_font_size_tablet=\u00bb20px\u00bb content_font_size_phone=\u00bb18px\u00bb content_font_size_last_edited=\u00bbon|desktop\u00bb global_colors_info=\u00bb{}\u00bb][\/dipl_image_card_carousel_item][dipl_image_card_carousel_item image=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/5-objectes-rapte-.jpg\u00bb content_custom_padding=\u00bb20px|20px|0px|20px|false|true\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-40px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/dipl_image_card_carousel_item][dipl_image_card_carousel_item image=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/4-objectes-rapte-.jpg\u00bb content_custom_padding=\u00bb20px|20px|0px|20px|false|true\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||-40px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/dipl_image_card_carousel_item][\/dipl_image_card_carousel][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb33px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin_tablet=\u00bb||40px||false|false\u00bb custom_margin_phone=\u00bb||30px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb33px\u00bb header_3_font_size_phone=\u00bb31px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Manilles<\/h3>\n

Aquest tipus de manilles, generalment de coure o bronze, es fabricaven a Europa des de finals del segle XV, fonamentalment per comprar persones esclavitzades a la costa africana.<\/p>\n

Col\u00b7lecci\u00f3 particular Javier Aznar<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/3-objectes-rapte-.jpg\u00bb title_text=\u00bbTurmellera Mbole\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||24px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb33px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin_tablet=\u00bb||40px||false|false\u00bb custom_margin_phone=\u00bb||30px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb33px\u00bb header_3_font_size_phone=\u00bb31px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Creus de Katanga<\/h3>\n

Un tipus molt com\u00fa de monedes congoleses van ser les creus de Katanga: lingots de coure o bronze fosos en forma d\u2019aspa, que van sobreviure fins a comen\u00e7aments del segle XX.<\/p>\n

Col\u00b7lecci\u00f3 particular Javier Aznar<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/1-objectes-rapte-.jpg\u00bb title_text=\u00bbTurmellera Mbole\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||24px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.4em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb33px\u00bb module_alignment=\u00bbcenter\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb33px\u00bb header_3_font_size_phone=\u00bb31px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Turmelleres<\/h3>\n

A la zona del Congo i del Zaire, les dones riques d\u2019alguns pobles utilitzaven unes grans turmelleres de bronze anomenades konga, que tamb\u00e9 havien servit com a moneda. Per a aquest segon \u00fas, se\u2019n fabricaven de diversos di\u00e0metres.<\/p>\n

Col\u00b7lecci\u00f3 particular Javier Aznar<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ use_custom_gutter=\u00bbon\u00bb custom_padding_last_edited=\u00bboff|desktop\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|tablet\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bbnone\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb|auto|92px|auto|false|false\u00bb custom_margin_tablet=\u00bb|auto|65px|auto|false|false\u00bb custom_margin_phone=\u00bb||58px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/16-objectes-rapte-.jpg\u00bb title_text=\u00bbTurmellera Mbole\u00bb show_in_lightbox=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||30px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin_tablet=\u00bb||40px||false|false\u00bb custom_margin_phone=\u00bb||30px||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Un convoy de esclavos en \u00c1frica<\/em><\/p>\n

Gravat de Jean-Antoine-Valentin Foulquier (1822 \u2013 1896).<\/p>\n

MMB<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/15-objectes-rapte-.jpg\u00bb title_text=\u00bbTurmellera Mbole\u00bb show_in_lightbox=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||30px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin_tablet=\u00bb||0px||false|false\u00bb custom_margin_phone=\u00bb||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb hover_enabled=\u00bb0″ text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

C\u00f3mo son cazados los negros<\/em><\/p>\n

Gravat de Jean-Antoine-Valentin Foulquier (1822 \u2013 1896).<\/p>\n

MMB<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\u00bbon\u00bb custom_padding_last_edited=\u00bboff|desktop\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|tablet\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bbnone\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb|auto|115px|auto|false|false\u00bb custom_margin_tablet=\u00bb||80px||false|false\u00bb custom_margin_phone=\u00bb||66px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2025\/12\/factoria.jpg\u00bb alt=\u00bbFactoria\u00bb title_text=\u00bbfactoria\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||18px|||\u00bb filter_sepia=\u00bb10%\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Factoria de persones esclavitzades del golf de Guinea, actual zona de Nig\u00e8ria.<\/p>\n

Gravat de Nathaniel Parr, 1746.<\/p>\n

Library of Congress., EUA.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb4″ custom_padding_last_edited=\u00bboff|desktop\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb90%\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb80%\u00bb width_last_edited=\u00bbon|tablet\u00bb max_width=\u00bb90%\u00bb max_width_tablet=\u00bbnone\u00bb max_width_phone=\u00bb80%\u00bb max_width_last_edited=\u00bbon|desktop\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb|auto|47px|auto|false|false\u00bb custom_margin_last_edited=\u00bboff|desktop\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/2-la-casa-esclaus.jpg\u00bb alt=\u00bbLa Casa dels Esclaus, illa de Gor\u00e9e\u00bb title_text=\u00bbGoree Island seen from sea\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||21px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb||60px|||\u00bb custom_margin_tablet=\u00bb||80px||false|false\u00bb custom_margin_phone=\u00bb||80px||false|false\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

La Casa dels Esclaus, illa de Gor\u00e9e, el Senegal.<\/p>\n

La Casa dels Esclaus (Maison des Esclaves), que des del 1962 \u00e9s un museu, recorda el punt de sortida de les persones esclavitzades d\u2019\u00c0frica.<\/p>\n

Fotografia de Sergio Amati (2022).<\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/1-interior-casa-esclaus.jpg\u00bb alt=\u00bbInterior de la Casa dels Esclaus a l\u2019illa de Gor\u00e9e, el Senegal\u00bb title_text=\u00bbInside the House of Slaves\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||20px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb||||false|false\u00bb custom_margin_tablet=\u00bb||50px||false|false\u00bb custom_margin_phone=\u00bb||33px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Interior de la Casa dels Esclaus a l\u2019illa de Gor\u00e9e, el Senegal.<\/p>\n

Fotografia de Michele D\u2019Amico.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/3-la-casa-esclaus.jpg\u00bb alt=\u00bbInterior de la Casa dels Esclaus\u00bb title_text=\u00bbMaison des Esclaves (Slaves House), Goree Island, UNESCO World Heritage Site, near Dakar, Senegal, West Africa, Africa\u00bb show_in_lightbox=\u00bbon\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||25px|||\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb text_font_size=\u00bb20px\u00bb text_line_height=\u00bb1.3em\u00bb header_3_font=\u00bbAlternate Gothic|||on|||||\u00bb header_3_font_size=\u00bb38px\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb||90px|||\u00bb custom_margin_tablet=\u00bb||9px||false|false\u00bb custom_margin_phone=\u00bb||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb text_font_size_tablet=\u00bb20px\u00bb text_font_size_phone=\u00bb18px\u00bb text_font_size_last_edited=\u00bbon|desktop\u00bb text_letter_spacing_tablet=\u00bb\u00bb text_letter_spacing_phone=\u00bb\u00bb text_letter_spacing_last_edited=\u00bbon|desktop\u00bb text_line_height_tablet=\u00bb1.3em\u00bb text_line_height_phone=\u00bb1.3em\u00bb text_line_height_last_edited=\u00bbon|desktop\u00bb header_3_font_size_tablet=\u00bb38px\u00bb header_3_font_size_phone=\u00bb34px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Interior de la Casa dels Esclaus, illa de Gor\u00e9e, el Senegal.<\/p>\n

Fotografia de Robert Harding.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ module_class=\u00bbnav-prev-home-next\u00bb _builder_version=\u00bb4.27.5″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb max_width=\u00bb125px\u00bb max_width_tablet=\u00bb141px\u00bb max_width_phone=\u00bb111px\u00bb max_width_last_edited=\u00bbon|phone\u00bb custom_margin=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/anterior.png\u00bb title_text=\u00bbanterior\u00bb url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE4In19@\u00bb _builder_version=\u00bb4.27.5″ _dynamic_attributes=\u00bburl\u00bb _module_preset=\u00bbdefault\u00bb height=\u00bb25px\u00bb height_tablet=\u00bb30px\u00bb height_phone=\u00bb25px\u00bb height_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb filter_opacity__hover_enabled=\u00bbon|hover\u00bb filter_opacity__hover=\u00bb36%\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/home.png\u00bb title_text=\u00bbhome\u00bb url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwIn19@\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _dynamic_attributes=\u00bburl\u00bb _module_preset=\u00bbdefault\u00bb height=\u00bb25px\u00bb height_tablet=\u00bb30px\u00bb height_phone=\u00bb25px\u00bb height_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb filter_opacity__hover_enabled=\u00bbon|hover\u00bb filter_opacity__hover=\u00bb36%\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-content\/uploads\/2026\/01\/seguent.png\u00bb title_text=\u00bbseguent\u00bb url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjIyIn19@\u00bb align=\u00bbright\u00bb _builder_version=\u00bb4.27.5″ _dynamic_attributes=\u00bburl\u00bb _module_preset=\u00bbdefault\u00bb height=\u00bb25px\u00bb height_tablet=\u00bb30px\u00bb height_phone=\u00bb25px\u00bb height_last_edited=\u00bbon|tablet\u00bb global_colors_info=\u00bb{}\u00bb filter_opacity__hover_enabled=\u00bbon|hover\u00bb filter_opacity__hover=\u00bb36%\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

El rapte12,5 milions de persones esclavitzadesEntre els segles XVI i XIX, m\u00e9s de 12,5 milions de persones nascudes a l\u2019\u00c0frica van ser embarcades cap al continent americ\u00e0. Espanya es va convertir en el quart pa\u00eds d\u2019un r\u00e0nquing macabre: els grans ports esclavistes del sud d\u2019Europa van ser Sevilla i Lisboa fins al segle XVII, i […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":191,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":24409,"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/pages\/20\/revisions\/24409"}],"wp:attachment":[{"href":"https:\/\/exposicionsvirtuals.mmb.cat\/lainfamia\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}